“Fishes, Crayfishes and Crabs, of Diverse Colors and Extraordinary Form, That Are Found around the Islands of the Moluccas and on the Coasts of the Southern Lands” was the only scientific work ever printed by Louis Renard. The first edition, of which only one-hundred copies were ever created, was comprised of some 460 hand-colored illustrations. Surviving copies are exceedingly rare (34 are known), and only three have ever appeared at auction—the most recent fetched over $86,000 for the complete two-volume set.
These drawings were originally produced for the Governor and Director of Ambon and Banda, a Mr. Balthasar Coyett, who clearly had a fascination with the unusual fishes and crustaceans in these foreign lands. Locals would bring to him live specimens, which were kept in containers and drawn by various artists commissioned for the project. Of these early piscine portraitists, the work of Samuel Fallours has gained particular notoriety for his ebullient use of color and the rather phantasmagorical manner in which he depicted his subjects. To his credit, Fallours’ fishes are often readily identifiable to species or genus, even if they are more often works of inspiration than truly accurate illustrations. But what they lack in verisimilitude, they more than make up for in whimsy and originality. Butterflyfishes with little hearts in their fins. Crabs with anthropomorphic faces. Three-eyed scorpionfishes. Seahorses replete with itty bitty saddles for riding. And, for good measure, a mermaid. And that’s not to mention some of the truly odd creatures which seem more likely to have been drawn from a nutmeg-induced hallucination than any actual specimen collected from the reefs.